BBC Radio 6-Music DJ Huey Morgan & the appeal of Latin music… discover this & more at

BBC Radio 6 Music DJ Huey Morgan dives into the unique sounds of three countries – Puerto Rico, Brazil and Cuba – on a quest to understand Latin music’s enduring appeal.

This week he starts his adventure in Rio de Janeiro with a visit to Mangueira Samba School as they prepare for carnival… click to listen

It is an important time. Joining rehearsals, Huey learns that the country’s government has come out against carnival’s hedonistic atmosphere. This samba group are just one of many planning a protest, and Huey realises that the revolutionary spirit isn’t just in Brazilian music, it is out on the streets.

Huey then hits the beach but discovers that Brazilian music in the 1960s wasn’t confined to the slick bossa nova swing of the Girl from Ipanema. Released in 1964, this song provided the soundtrack for cocktail parties around the world, but in Brazil that same year a military dictatorship had taken control of the country and civil unrest was brewing.

Huey meets up with Gilberto Gil, who pioneered a new, politically conscious sound to push back against the authoritarian government. Fusing bossa nova with psychedelic rock, avant-garde musique concrete, samba, funk and soul, Tropicália was so radical, and its social implications so politically profound, that Gil and fellow musician Caetano Veloso were arrested, imprisoned and finally exiled in 1969. Tropicália burned brightly for only a few short years, but its impact still resonates today.

Landing in Salvador, Huey is straight into the heat and the chaos of Brazil in the run-up to carnival. Everywhere you turn there are Afro blocs rehearsing, enormous drum ensembles beating out samba rhythms. Salvador is the ancient capital of Brazil, and it was here that millions of slaves were shipped to from Africa by the Portuguese conquistadors – more than anywhere else in the Americas. Salvador is said to be the largest African city outside of Africa, and the revolutionary sound of Brazil has its foundations here. These Afro blocs are more than just music ensembles – they also play a crucial political role in the communities that host them. Huey meets with Carlinhos Brown, percussionist and Salvador native, to experience the rhythms of an Afro bloc up close and to talk about how Afro-positive music has shaped the sound of Brazil. Huey also joins BaianaSystem to learn the secrets of the Bahian guitar – a revolutionary electric instrument invented in Salvador in the 1940s and performed on floats called trios electricos that traverse the city during carnival.

Leaving Salvador, Huey heads to São Paulo, the centre of the Brazilian music scene today, to meet up with his good friend Supla. Taking a tour of the punk and metal scene, Huey discovers that Brazil is still using music to protest against the authoritarian government currently in power and heads to the studio to meet Karol Conka, a rapper and outspoken feminist who is making party anthems with a purpose.

Has this tempted you to explore Latin Music? 

Our buyer Rich has a passion for this genre and here are his top recommendations:-

SABU Palo Congo- 1984 Japanese issue of the 1957 8-track LP, one of those must own wild, exotic Afro-Cuban records of the fifties(!), released here by Toshiba EMI as part of their ‘Blue Note BLP 1500’ Series [Part 6]
LABA SOSSEH El Sonero De Africa – Rare Afro-Jazz/Dakar 1976 Senegalese 8-track LP, on a black & yellow N’Dardisc label manufactured in France -amazing hypnotic sounds with deep Afro Latin vibes, housed in a unique front laminated picture sleeve


PONCHO SANCHEZ Straight Ahead- Killer Latin Jazz Mambo 1980 US 8-track LP, also starring the likes of Gary Foster, Alex Acuña & Clare Fischer, housed in a fully textured & pasted picture sleeve
WILLIE COLON Cosa Nuestra – 1980 French issue of the 1972 8-track stereo LP – Hard-hitting Latin-Salsa starring Willie & Hector at their best, opening with the dancefloor smash ‘Che Che Cole’
LOUIE RAMIREZ Louie Ramirez Y Super Banda – 1987 US 8-track LP – proof if ever it was needed that Louie Ramirez could deliver a killer Salsa/Latin-Jazz album in any decade after the sixties, the man was consistently reliable
ROBERTO ROENA Y SU APOLLO SOUND Regreso – 1987 Puerto Rican 8-track LP – outstanding Latin-Jazz, Salsa, Bolero on the tiny UP Records label, starring the mighty Ricardo ‘Babalonia’ Marrero on trumpet


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