Written by Phil Ashdown.
At the end of Rush’s colossal world tour in support of their epic Hemispheres album in June 1979 each member agreed to take a six-week sabbatical before work would begin on a follow up record. This was a first for the band and showed the toll the grueling eight month trek had taken on the members. They finally got together in mid-July 1979 at Lakewoods Farm near Flesherton., Ontario to write and rehearse new material for two weeks. The band set up their equipment and put down what drummer Neil Peart described as “a giant hodge-podge of instrumental mish-mash”. This was not fully developed but some parts were used during passages of other songs recorded. Typically guitarist Alex Lifeson and bassist Geddy Lee would work on musical ideas while Peart would walk to a nearby cottage to write lyrics.
New songs would take the band into a more straightforward style with tracks taking on a more concise structure whilst retaining their trade-mark time changes and complex arrangements. The Spirit Of Radio, Enre Nous, Freewill and Jacob’s Ladder were put together within several days without much effort. Peart attempted to write a song based on the King Arthur myths but abandoned the ides after it felt out of place among the new material. At this stage they moved into Sound Kitchen Studio in Toronto with their producer Terry Brown to get some ideas and finished songs on tape. In September 1979 Rush went to Le Studio in Morin-Heights, Quebec to record Permanent Waves with Brown and engineer Paul Northfield.
The recording sessions involved the band tweaking the settings of instruments and positioning of microphones and recording tracks with multiple takes until they had the best performance. While Lee, Lifeson, and Brown began overdubs, Peart began attempting to write another longer song that would evolve into Natural Science. The water sounds used in the opening of the song was recorded by splashing oars in the private lake and the natural echo outside was used to record some instruments. Photographer Fin Costello was brought in to take pictures of the band during recording and long-term cover art director Hugh Syme even recorded a piano solo on the song Different Strings. With rough mixes complete the final mix was completed at London’s Trident Studios in just two weeks.
Permanent Waves became the band’s seventh studio album and was finally released on 14th January 1980. It received a mostly positive reception from critics and it became their most successful album to date, reaching number 3 in both the UK and Canada and number 4 in the US.
An edited version of The Spirit Of Radio was released as a single in March. This song saw the band experimenting with reggae rhythms and sounds and lyrically the song is a lament on the change of FM radio from free-form to commercial formats during the late 1970s. the single was an unlikely hit in the UK peaking at number 13 in the singles charts.
“Jacob’s Ladder” uses multiple time signatures, and possesses a dark, ominous feel in its first half. Its lyrics are based on a simple concept: a vision of sunlight breaking through storm clouds. The title is a reference to the natural phenomenon of the sun breaking through the clouds in visible rays, which in turn is named after the Biblical ladder to Heaven on which Jacob saw angels ascending and descending in a vision.
While the band began stepping back from the epic song format on this album, the closing track “Natural Science” is more than nine minutes long and is composed of three distinct movements: I) Tide Pools, II) Hyperspace, and III) Permanent Waves.
The cover artwork was once again designed by long-time band associate Hugh Syme and attracted some controversy because of the newspaper headline ‘Dewey Defeats Truman. The Chicago Tribune complained so the text was changed to Dewei Defeats Truman. Some later versions have the headline blanked out and appears as a white box. The billboards in the distance were changed from Coca-Cola to include each band members’ name in a similar font. The background scene comes from a photo, taken by Flip Schulke, of the Galveston Seawall in Texas during Hurricane Carla on September 11, 1961. The woman in the foreground is Canadian model Paula Turnbull and the man waving in the background is Syme himself. The title is a play on words on the crashing waves, the waving man and the waves in the woman’s hair.
The Permanent Waves tour saw the band perform to over 650,000 fans over the course of 96 shows from January 17th to June 22nd 1980. The tour included several ‘evening with’ shows as a special treat that several years later would become a Rush norm. Their growing popularity was reflected in the size of the new production that included sixty tons of equipment. They toured with a 25-member road crew and the lighting included Boeing 707 landing lights, a $50,000 mixing desk and for the first time, a projector behind the band. The tour cost $12,500 each day and the three band members earned $1,000 per show. The ‘evening with’ shows included five sold-out shows at London’s Hammersmith Odeon and were recorded for future use. It was also the first time a Rush tour turned a profit.
EIL.COM Favourite Music Update Rare CDs, CD Singles, Rare Records, Vinyl Records, Albums and Music
- Rush - The Big Money - UK - 12" vinyl - £12.00, $16.92, €13.92 (New Item) (arrived 10-May-2021 11:26)on May 18, 2021 at 9:34 am
RUSH The Big Money (1985 UK 3-track 12" vinyl single, including Territories & Red Sector live, picture sleeve. The sleeve is in nice shape, with just some light ringwear from storage, whilst the vinyl aside from one or two very faint paper scuffs, remains in excellent condition RUSH1212)
- Rush - 2112 [Twenty One Twelve] - UK - vinyl LP - £35.00, $49.35, €40.60 (New Item) (arrived 08-May-2021 15:09)on May 18, 2021 at 9:34 am
RUSH 2112 (1976 UK 6-track vinyl LP, the fourth studio album by the Canadian rockers considered the best known from 'phase 1' and a veritable career saver, gatefold picture sleeve with lyrics printed inside. The sleeve displays some light ring/edge wear scuffs with a little corner creasing, whilst the vinyl remains in excellent condition with just light signs of play)
- Rush - A Farewell To Kings - US - vinyl LP - £35.00, $49.35, €40.60 (New Item) (arrived 08-May-2021 14:58)on May 18, 2021 at 9:34 am
RUSH A Farewell To Kings (1977 US issue 6-track vinyl LP, the 5th studio album including the epic Xanadu featuring early keyboard exploits for the band, the set regular sing-a-long single Closer To The Heart and the lesser played classic Cygnus X-1, gatefold picture sleeve featuring the well-known puppet artwork by Hugh Syme, complete with lyrics and band photo on the inner spread [featuring those Peart boots!] and original picture inner later immortalised on many a poster with the starman logo on the other side! The sleeve has a deletion cut corner and displays some light visible signs of wear/corner wear but is otherwise intact and in excellent shape, whilst the vinyl shows some light evidence of play. A nice example of this great album from the Rush early days! SRM-1-1184)
- Rush - Exit Stage Left - 180g DMM - Sealed - US - 2-LP vinyl set - £59.99, $84.59, €69.59 (New Item) (arrived 12-Feb-2021 12:10)on May 18, 2021 at 9:34 am
RUSH Exit Stage Left (2019 US limited edition 13-track 2-LP double album, remastered at Abbey Road Studios using Direct to Metal Mastering [DMM] and pressed by QRP on 180g audiophile vinyl - first released in August 1981 their classic live album was recorded during the Moving Pictures tour at the Montreal Forum and in Glasgow Scotland. Featuring epic live versions of Closer To The Heart, Tom Sawyer, Xanadu, A Passage to Bangkok, Jacob's Ladder and more. The download offer for this edition is expired. Factory sealed inside its loose tear-bag)