Posthumous albums grow in popularity as labels seek to bring music to new audience
Two new David Bowie records will be released this year, with a digital EP featuring unheard versions of songs being released weekly and a live session, which will be out on Record Store Day in April.
The first track from the David Bowie Is It Any Wonder? EP, The Man Who Sold The World, was released on Wednesday to mark what would have been the singer’s 73rd birthday, with a new song released each week digitally.
The ChangesNowBowie live session, recorded in 1996 during rehearsals for Bowie’s 50th birthday concert at Madison Square Garden, comes later in the year and was previously broadcast on Radio 1 by Mary Anne Hobbs.
Tracklistings are not available for either recording, although Parlophone Records said the Is It Any Wonder? EP will feature unreleased versions of songs from Bowie’s back catalogue which were recorded by him in the 1990s.
But according to the people behind some of the most respected reissues, posthumous albums have evolved from being quick money-spinners for record labels to painstaking “labours of love” that bring forgotten musicians, including those Bowie admired, to a new audience.
In cooperation with Russell’s partner, Tom Lee – who was given the rights to Russell’s music – Knutson began to build the legacy of Russell, who was little known beyond the New York underground scene until Audika began issuing albums, beginning in 2004 with Calling Out Of Context. The 15th Russell release on Audika, Iowa Dreams, was released in November 2019.
Josh Cheon, the founder of the music label Dark Entries Records in San Francisco, had a similar experience with the disco producer Patrick Cowley, who is best known for his track You Make Me Feel Mighty Real with Sylvester, and who died in 1982. When a former business partner of Cowley’s invited him to come and select records from his collection, Cheon and his DJing partners decided to take everything Cowley related, including several hours of unreleased music, on reel-to-reel tapes.
Cheon would eventually hunt down two porn soundtracks, which Cowley had made and released them on Dark Entries, along with detailed liner notes. The latest release, Mechanical Fantasy Box, is a collection of early works from 1973 to 1980. “We are the guardians and the custodians of these people’s music. We’re in charge of what the world gets to hear,” said Cheon.
There is little data on posthumous releases and no official statistics have been compiled to measure their rise, but, since the 1960s, albums released after an artist’s death have proved to be incredibly popular among consumers. After Redding’s Dock Of The Bay became the first album to become a posthumous No 1, artists from Jimi Hendrix to John Lennon, Janis Joplin and the Notorious BIG all went to No 1s after their deaths.
That popularity has led to a lucrative posthumous industry with estate management, rights disputes and hologram tours becoming the norm. But the handling of an artist’s legacy can be highly contentious. Prince’s estate has fought planned releases of the artist’s unreleased recordings since his death in 2016, and when Whitney Houston died in February 2012, Sony Music briefly raised the cost of her greatest hits on iTunes UK from £4.99 to £7.99 before reducing it after criticism.
Any hint of cynical profiteering is anathema to the indy labels. Matt Sullivan, who runs Light in the Attic Records, and Matt Werth, who founded the label RVNG Intl, say posthumous releases for unknown artists are a labour of love. “It’s really not a case of just turning up and getting someone to sign on the dotted line,” said Sullivan. “We’ve been working on one release for more than a decade now”.
David Bowie’s releases are most straightforward, with the singer’s estate owning the rights to his music, which are then licensed to Parlophone. No further releases have been announced for 2020, though there has been a Bowie boxset released every autumn for the last four years. Since his death there have been six live albums releases, including Serious Moonlight (Live 83), Live in Berlin (1978) and the 2018 Glastonbury 2000 that recorded his headlining performance at the Somerset festival.
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DAVID BOWIE Bowpromo (Sealed 2017 UK strictly limited edition
single-sided vinyl LP - In August 1971, David Bowie's manager, Tony
Defries had 500 promo LPs pressed to secure Bowie and fellow
Mainman artist Dana Gillespie a record deal. This LP released
exclusively for Record Store Day includes the seven
recordings by Bowie issued on the A-side of that white label album
and comes housed inside a sealed & custom stickered 13" x
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DBRSD6973) DAVID BOWIE Do Anything You Say (Mid 70s UK 4-track solid
centre 7" EP, also including I Dig Everything, Can't Help
Thinking About Me & I'm Not Losing Sleep. The vinyl remains
in Excellent condition, housed in its company die-cut paper
sleeve7NX8002) DAVID BOWIE Blackstar (Sealed Limited Edition 2016 US
7-track LP pressed on 180 gram Clear Vinyl, his
twenty-fifth and final studio album including the 9:59 title
track and Lazarus, die-cut 'star' gatefold picture sleeve with
download card & 16-page booklet. This Bowie website special
remains factory sealed from new with the 'Parental Advisory'
sticker on the front (slight gap to shrink at opening edge) and
'8 88751 88851 7' barcode sticker on the back, unopened &
unplayed!)** Limited to 5000 copies ** DAVID BOWIE Black Tie White Noise (1993 Dutch 10-track LP,
a glorious post-Let's Dance album, drawing further inspiration
from Mick Ronson & Nile Rodgers, including a stunning cover
of Scott Walker's Nite Flights, illustrated credits inner with
glossy picture sleeve. The cover has some light general wear
with a tiny sticker mark on the front, the inner has no rips or
splits, and the vinyl shows minimal signs of play. A strong
Excellent example of this hard to find 90s pressing) DAVID BOWIE Scary Monsters (1983 German black RCA label
issue of the 1980 10-track vinyl LP including the classic
singles Ashes To Ashes and Fashion. Housed in a glossy
picture sleeve with lyric inner. The sleeve shows only minor
edgewear andthe vinyl remains in excellent condition
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